It is August 1993 when Bekir Hasanović exchanges a gold coin for the camera he will use to film everyday life in Srebrenica from then on. The images he records during the days of the war with his improvised crew, called Ben, John & Boys, give life to the unexpected portrait of a population lost, though able to maintain a solid connection with reality without giving up its typical humour. Ado, Bekir’s son, starts from these images and from the pages of the diaries kept by his father to reconstruct the image of his father and, together with his mother Fatima, finally be able to understand how he survived the Death March and the Srebrenica genocide.
